Watch rectangle & rectangles SFlix. This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
72012HD
02026HD
A visual and acoustic reflection about perception, deception, truth and the medium of film itself. Between visibility, irritation, structure and...
02003HD
One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with...
91991HD
Animated film from Robert Sahakyants. Political satire on the last years of Soviet Russian rule over Armenia. It makes fun of several well known...
4.41989HD
Every time a Soviet apparatchik presses a button, something explodes.
91970HD
This short surrealistic film portrays a growing boy and the bizarre world of imposed conditions and contradictions he evolves in. Made by students of...
6.51978HD
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and...
01970HD
I HAD A... (DREAM) unfolds as a trip where dance, stop-motion animation, sound, and imagery interplay, far from established dimensions and...
3.42019HD
In a bleak hillside hotel, strange events are afoot, as something surprising drifts in on the mist… In this gorgeously made stop motion...
62025HD
Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path...
02005HD
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob...
02020HD
Filmed on 16mm film, this visual expression is rooted in its archival materials and backed up by the poem by Hans Magnus Enzensberger. It speaks of...